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        <title><![CDATA[  le blog worldart]]></title>
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        <description><![CDATA[NC
]]></description>
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    <title><![CDATA[ETONISM: HOMO TOLERATUS]]></title>
    <link><![CDATA[https://worldart.over-blog.com/article-etonism-homo-toleratus-63534127.html]]></link>
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    <pubDate>Wed, 22 Dec 2010 12:36:00 +0100</pubDate>
    <description><![CDATA[Patrício Batsîkama Note of introduction 2+2=4 is Ratio/Reason or correct. And 2+2=3 is Er-Ratio/mistake or incorrect. Is it possible Ratio/reason/correct tolerates er-Ratio/mistake/incorrect? In Angolan (ancestral) philosophy, we find several metaphysic... ]]></description>
        <dc:creator><![CDATA[James E. Cliff]]></dc:creator>
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                    <item>
    <title><![CDATA[ARTE NA UNIVERSIDADE KATYAVALA BWÎLA]]></title>
    <link><![CDATA[https://worldart.over-blog.com/article-arte-na-universidade-katyavala-bwila-63533412.html]]></link>
    <guid>https://worldart.over-blog.com/article-arte-na-universidade-katyavala-bwila-63533412.html</guid>
    <pubDate>Wed, 22 Dec 2010 12:28:00 +0100</pubDate>
    <description><![CDATA[Arte sendo linguagem é geralmente estudada pelas disciplinas como estética e filosofia da arte. Como objecto que nos informa sobre o passado de um povo, a arte será estudada pela história da arte e antropologia da arte. Prefiro limitar-me nessas quatro... ]]></description>
        <dc:creator><![CDATA[James E. Cliff]]></dc:creator>
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                    <item>
    <title><![CDATA[AFÓ e o seu Kimoyongi]]></title>
    <link><![CDATA[https://worldart.over-blog.com/article-18817736.html]]></link>
    <guid>https://worldart.over-blog.com/article-18817736.html</guid>
    <pubDate>Thu, 17 Apr 2008 14:06:00 +0200</pubDate>
    <description><![CDATA[AFÓ E O SEU KIMOYÔNGI 2008 Vou chamar esse espaço MITOSOFIA porque poderei abordar qualquer tema. E para já vou começar por Masongi Afo uma vez que está a prever uma exposição individual nos próximos tempos. Masongi Afonso é um escultor-ícone de Angola,... ]]></description>
        <dc:creator><![CDATA[James E. Cliff]]></dc:creator>
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                    <item>
    <title><![CDATA[AFÓ e o seu Kimoyongi]]></title>
    <link><![CDATA[https://worldart.over-blog.com/article-18817732.html]]></link>
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    <pubDate>Thu, 17 Apr 2008 14:06:00 +0200</pubDate>
    <description><![CDATA[AFÓ E O SEU KIMOYÔNGI 2008 Vou chamar esse espaço MITOSOFIA porque poderei abordar qualquer tema. E para já vou começar por Masongi Afo uma vez que está a prever uma exposição individual nos próximos tempos. Masongi Afonso é um escultor-ícone de Angola,... ]]></description>
        <dc:creator><![CDATA[James E. Cliff]]></dc:creator>
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                    <item>
    <title><![CDATA[ETONIM, A INTERESTING SCIENTIFIC CONTRIBIUTION FROMA ANGOLA]]></title>
    <link><![CDATA[https://worldart.over-blog.com/article-18305250.html]]></link>
    <guid>https://worldart.over-blog.com/article-18305250.html</guid>
    <pubDate>Mon, 31 Mar 2008 14:58:00 +0200</pubDate>
    <description><![CDATA[Kelli Moore James Madison University Angola need reformulation of culture, because after war the Angolans accostumed to war culture can not saveguarde wery well the peace that they conquered with more sacrifice. This is vision of ouside, and fortunately... ]]></description>
        <dc:creator><![CDATA[James E. Cliff]]></dc:creator>
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                    <item>
    <title><![CDATA[Arte em Nyaneka (Angola)]]></title>
    <link><![CDATA[https://worldart.over-blog.com/article-15477478.html]]></link>
    <guid>https://worldart.over-blog.com/article-15477478.html</guid>
    <pubDate>Wed, 09 Jan 2008 17:13:00 +0100</pubDate>
    <description><![CDATA[Será que existe o substantivo «Arte» em línguas angolanas O historiador de arte Adriano Mixinge escreve: «Porém, que eu saiba, em nenhuma das línguas africanas existe uma palavra para designar aquilo que a historiografia ocidental chama de ARTE. Existe... ]]></description>
        <dc:creator><![CDATA[James E. Cliff]]></dc:creator>
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                    <item>
    <title><![CDATA[Etonisme pour la jeune Angola]]></title>
    <link><![CDATA[https://worldart.over-blog.com/article-7286538.html]]></link>
    <guid>https://worldart.over-blog.com/article-7286538.html</guid>
    <pubDate>Mon, 03 Dec 2007 09:32:01 +0100</pubDate>
    <description><![CDATA[Ruth Colette Belinga MA et Doctorandum en Histoire de l’Art, Univeristé de Yaoundé, Caméroun Etonisme pour la «Jeune Angola». Introduction Face au support de l’art, les institutions scientifiques – du genre de l’Université ou Musée – sont inévitablement... ]]></description>
        <dc:creator><![CDATA[James E. Cliff]]></dc:creator>
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                    <item>
    <title><![CDATA[Específico de Hildebrando]]></title>
    <link><![CDATA[https://worldart.over-blog.com/article-7164996.html]]></link>
    <guid>https://worldart.over-blog.com/article-7164996.html</guid>
    <pubDate>Sun, 07 Oct 2007 01:17:35 +0200</pubDate>
    <description><![CDATA[Específico: Observando essa pintura em aposição da personalidade do seu autor, nota-se uma musicalidade cromática, menos apaixonada, com pausas e quebras aporéticas (?), sem por isso medir os notórios epítetos de cortesia plástica quando, poeticamente,... ]]></description>
        <dc:creator><![CDATA[James E. Cliff]]></dc:creator>
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                    <item>
    <title><![CDATA[Molimo]]></title>
    <link><![CDATA[https://worldart.over-blog.com/article-7161896.html]]></link>
    <guid>https://worldart.over-blog.com/article-7161896.html</guid>
    <pubDate>Fri, 05 Oct 2007 15:01:09 +0200</pubDate>
    <description><![CDATA[Nkîsi Elikia Autor: Hildebrando Óleo/tela Dimensões: 200x200cm Ano: 2006 Espirito Esperânça: a logotecnia semiótica dessa expressão assente na intrusão propositada duma tonalidade fria decente que apesar da minoriedade planométrica, consegue cativar atenção... ]]></description>
        <dc:creator><![CDATA[James E. Cliff]]></dc:creator>
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                    <item>
    <title><![CDATA[Etonism and KASC]]></title>
    <link><![CDATA[https://worldart.over-blog.com/article-7148090.html]]></link>
    <guid>https://worldart.over-blog.com/article-7148090.html</guid>
    <pubDate>Sat, 29 Sep 2007 17:43:31 +0200</pubDate>
    <description><![CDATA[Does etonism pre-vision of revolution in Africa? Mr. Ana Etona and its philosophy ETONISM explained by Patricio Batsikama remember us Luther King Jr and Matma Gandhi. First, the camp of observation well structured semiotically. Angola. All philosophy... ]]></description>
        <dc:creator><![CDATA[James E. Cliff]]></dc:creator>
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                    <item>
    <title><![CDATA[Etonism at University of Kansas]]></title>
    <link><![CDATA[https://worldart.over-blog.com/article-7140072.html]]></link>
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    <pubDate>Tue, 25 Sep 2007 23:08:46 +0200</pubDate>
    <description><![CDATA[Etonism: philosophy of tolerant reason Patrício Batsîkama. 1) Definition Etymologically, the term etonism is from the nickname of "Etona" that means in languages 1) reasons, 2) allegations, 3) indulgence, 4) evidence that generates 5) the justice and... ]]></description>
        <dc:creator><![CDATA[James E. Cliff]]></dc:creator>
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                    <item>
    <title><![CDATA[ETONISM]]></title>
    <link><![CDATA[https://worldart.over-blog.com/article-7108584.html]]></link>
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    <pubDate>Tue, 11 Sep 2007 17:14:08 +0200</pubDate>
    <description><![CDATA[Etonismo: anti-excluismo entre dois polos tendenciais? Patrício Batsîkama Platão coloca na boca de Sócrates as seguintes palavras: «... nós impedimos que o sapateiro tenta ser ao mesmo tempo lavrador, ou tecelão, ou pedreiro, e só o deixámos ser sapateiro,... ]]></description>
        <dc:creator><![CDATA[James E. Cliff]]></dc:creator>
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                    <item>
    <title><![CDATA[International Congress of Aesthetics]]></title>
    <link><![CDATA[https://worldart.over-blog.com/article-6927584.html]]></link>
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    <pubDate>Fri, 13 Jul 2007 10:09:16 +0200</pubDate>
    <description><![CDATA[Angola enters in Turkey and go out at Asian countries Bubravka Djuric When writing the foreword, the Professor Ph.D. Jale Ezen, Chairwoman of Department of Architecture of METU and President of Sanart, Association of the Aesthetics and Culture, «The SANART... ]]></description>
        <dc:creator><![CDATA[James E. Cliff]]></dc:creator>
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                    <item>
    <title><![CDATA[Artists of Tajan]]></title>
    <link><![CDATA[https://worldart.over-blog.com/article-6865611.html]]></link>
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    <pubDate>Thu, 28 Jun 2007 15:18:45 +0200</pubDate>
    <description><![CDATA[TAJAN RECORS Antonio Tomas Ana dit Etona = 70.500 $ Maalangatana = 35.000 $ ]]></description>
        <dc:creator><![CDATA[James E. Cliff]]></dc:creator>
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                    <item>
    <title><![CDATA[African in TAJAN]]></title>
    <link><![CDATA[https://worldart.over-blog.com/article-6860768.html]]></link>
    <guid>https://worldart.over-blog.com/article-6860768.html</guid>
    <pubDate>Wed, 27 Jun 2007 15:42:00 +0200</pubDate>
    <description><![CDATA[African in TAJAN, Paris Several Africans are internationally recognized Artist with their artwork in interest of Museums and Galleries like that: MoMA, Smithsonian Museum, Tate, etc. One of them, António Tomas Ana dit «Etona» can be found in http://www.askart.com/askart/artists/search/Search_Repeat.aspx?ad=363480&searchtype=AUCTION_RECORDS&artist=11144617... ]]></description>
        <dc:creator><![CDATA[James E. Cliff]]></dc:creator>
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                    <item>
    <title><![CDATA[E. DUKU]]></title>
    <link><![CDATA[https://worldart.over-blog.com/article-6765514.html]]></link>
    <guid>https://worldart.over-blog.com/article-6765514.html</guid>
    <pubDate>Fri, 08 Jun 2007 17:47:37 +0200</pubDate>
    <description><![CDATA[Etona, Étonisme et DUTA Ernest DUKU La deuxième édition de DUTA (Douala Urban Touch of Arts) a lancée l’étonisme entre plus d’une dixaine d’autres philosophies qu’ont exposé les artistes. Étonisme vient du terme ‘etona’ qui signifie en langues angolaises... ]]></description>
        <dc:creator><![CDATA[James E. Cliff]]></dc:creator>
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                    <item>
    <title><![CDATA[Article sent by P. Batsikama]]></title>
    <link><![CDATA[https://worldart.over-blog.com/article-6765483.html]]></link>
    <guid>https://worldart.over-blog.com/article-6765483.html</guid>
    <pubDate>Fri, 08 Jun 2007 17:41:24 +0200</pubDate>
    <description><![CDATA[Que filosofia educacional para Educação de Arte em Angola? Patricio Batsikama O Ministério da Cultura dispõe no INFA (Instituto Nacional de Formação Arística) quatro Escolas principais, nomeadamente: Escola Nacional de Dança, Escola Nacional de Música,... ]]></description>
        <dc:creator><![CDATA[James E. Cliff]]></dc:creator>
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                    <item>
    <title><![CDATA[Etonime et opinions des universitaires]]></title>
    <link><![CDATA[https://worldart.over-blog.com/article-6070053.html]]></link>
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    <pubDate>Mon, 19 Mar 2007 10:17:51 +0100</pubDate>
    <description><![CDATA[Etonsime, une demarche vers le classique africain. Ruth Belinga [1] Face au support de l’art, les instituitions scientifiques – du genre de l’Université et Musée – sont inévitablement auxilliaires. La Biennale de San Paulo est couverte par le Musée céans... ]]></description>
        <dc:creator><![CDATA[James E. Cliff]]></dc:creator>
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                    <item>
    <title><![CDATA[PABLO RUIZ PICASSO]]></title>
    <link><![CDATA[https://worldart.over-blog.com/article-5996466.html]]></link>
    <guid>https://worldart.over-blog.com/article-5996466.html</guid>
    <pubDate>Tue, 13 Mar 2007 13:19:03 +0100</pubDate>
    <description><![CDATA[Picasso, Pablo Ruiz (1881-1973), Spanish painter and sculptor, generally considered the greatest artist of the 20th century. He was unique as an inventor of forms, as an innovator of styles and techniques, as a master of various media, and as one of the... ]]></description>
        <dc:creator><![CDATA[James E. Cliff]]></dc:creator>
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                    <item>
    <title><![CDATA[Africology]]></title>
    <link><![CDATA[https://worldart.over-blog.com/article-5996042.html]]></link>
    <guid>https://worldart.over-blog.com/article-5996042.html</guid>
    <pubDate>Tue, 13 Mar 2007 12:42:13 +0100</pubDate>
    <description><![CDATA[Africology and You Africology is the normative and empirical inquiry into the life histories and life prospects of peoples of primary African origin and their descent, especially those who live in the United States, and Canada, Africa, the Caribbean,... ]]></description>
        <dc:creator><![CDATA[James E. Cliff]]></dc:creator>
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                    <item>
    <title><![CDATA[Art  au Cameroun]]></title>
    <link><![CDATA[https://worldart.over-blog.com/article-5995668.html]]></link>
    <guid>https://worldart.over-blog.com/article-5995668.html</guid>
    <pubDate>Tue, 13 Mar 2007 12:03:38 +0100</pubDate>
    <description><![CDATA[Sur-Vivre de l’Art au Kamer Goddy Leye Rive droite du Wouri. En plus de l’Eternel «on va faire comment?». En guise de justification des impostures régulières dont se rendent coupables leurs concitoyens, les plasticiens camerounais emploient volontiers... ]]></description>
        <dc:creator><![CDATA[James E. Cliff]]></dc:creator>
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                    <item>
    <title><![CDATA[Does Etonism model of african classicism]]></title>
    <link><![CDATA[https://worldart.over-blog.com/article-5982738.html]]></link>
    <guid>https://worldart.over-blog.com/article-5982738.html</guid>
    <pubDate>Mon, 12 Mar 2007 11:48:51 +0100</pubDate>
    <description><![CDATA[Etonism: a challenge for the African classic Badou Tresor DUTA: In the beginning Patrício Batsîkama lets know that any exhibition supposes the transmission of an orderly and organized thought because artist is a philosopher for basic rule. Therefore the... ]]></description>
        <dc:creator><![CDATA[James E. Cliff]]></dc:creator>
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