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    <title><![CDATA[le blog worldart]]></title>
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        <language>fr</language>
    
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        <title><![CDATA[le blog worldart]]></title>
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    <pubDate>Wed, 22 Dec 2010 12:54:55 +0100</pubDate>    <lastBuildDate>Wed, 22 Dec 2010 12:54:55 +0100</lastBuildDate>    <generator>Over-blog.com RSS 2.0 Engine</generator>    <copyright>Copyright 2012 worldart.over-blog.com</copyright>            <category>Culture</category>    <docs>http://www.rssboard.org/rss-specification/</docs>                        
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        <title><![CDATA[ETONISM: HOMO TOLERATUS]]></title>
        <link>http://worldart.over-blog.com/article-etonism-homo-toleratus-63534127.html</link>        <description><![CDATA[	Patrício Batsîkama Note of introduction 2+2=4 is Ratio/Reason or correct. And 2+2=3 is Er-Ratio/mistake or incorrect. Is it possible Ratio/reason/correct tolerates er-Ratio/mistake/incorrect? In Angolan (ancestral) philosophy, we find several metaphysic supports, as well as the cognitional[...]]]></description>
        <pubDate>Wed, 22 Dec 2010 12:36:00 +0100</pubDate>        <guid isPermaLink="false">3d88cef432b7352e6ca5a3a0cfb72746</guid>
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      <item>
        <title><![CDATA[ARTE NA UNIVERSIDADE KATYAVALA BWÎLA]]></title>
        <link>http://worldart.over-blog.com/article-arte-na-universidade-katyavala-bwila-63533412.html</link>        <description><![CDATA[	Arte sendo linguagem é geralmente estudada pelas disciplinas como estética e filosofia da arte. Como objecto que nos informa sobre o passado de um povo, a arte será estudada pela história da arte e antropologia da arte. Prefiro limitar-me nessas quatro disciplinas partindo de pressupostos que[...]]]></description>
        <pubDate>Wed, 22 Dec 2010 12:28:00 +0100</pubDate>        <guid isPermaLink="false">20a5f502ab841595a07d0afeca3ef232</guid>
                <category>worldart</category>        <comments>http://worldart.over-blog.com/article-arte-na-universidade-katyavala-bwila-63533412-comments.html#anchorComment</comments>                    </item>
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        <title><![CDATA[AFÓ e o seu Kimoyongi]]></title>
        <link>http://worldart.over-blog.com/article-18817736.html</link>        <description><![CDATA[	AFÓ E O SEU KIMOYÔNGI 2008 Vou chamar esse espaço MITOSOFIA porque poderei abordar qualquer tema. E para já vou começar por Masongi Afo uma vez que está a prever uma exposição individual nos próximos tempos. Masongi Afonso é um escultor-ícone de Angola, não só porque já ganhou PNCA-Artes[...]]]></description>
        <pubDate>Thu, 17 Apr 2008 14:06:00 +0200</pubDate>        <guid isPermaLink="false">f85fe04af79c7f0ad3b65e2e5c43b044</guid>
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        <title><![CDATA[AFÓ e o seu Kimoyongi]]></title>
        <link>http://worldart.over-blog.com/article-18817732.html</link>        <description><![CDATA[	AFÓ E O SEU KIMOYÔNGI 2008 Vou chamar esse espaço MITOSOFIA porque poderei abordar qualquer tema. E para já vou começar por Masongi Afo uma vez que está a prever uma exposição individual nos próximos tempos. Masongi Afonso é um escultor-ícone de Angola, não só porque já ganhou PNCA-Artes[...]]]></description>
        <pubDate>Thu, 17 Apr 2008 14:06:00 +0200</pubDate>        <guid isPermaLink="false">fc51d46ea86875d7a7af3f8b329c4a4e</guid>
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        <title><![CDATA[ETONIM, A INTERESTING SCIENTIFIC CONTRIBIUTION FROMA ANGOLA]]></title>
        <link>http://worldart.over-blog.com/article-18305250.html</link>        <description><![CDATA[	Kelli MooreJames Madison University Angola need reformulation of culture, because after war the Angolans accostumed to war culture can not saveguarde wery well the peace that they conquered with more sacrifice. This is vision of ouside, and fortunately Antonio Tomas Etona and Patricio Batsikama[...]]]></description>
        <pubDate>Mon, 31 Mar 2008 14:58:00 +0200</pubDate>        <guid isPermaLink="false">df43bc4eb4b5253cbe125ec1e41de92c</guid>
                <category>worldart</category>        <comments>http://worldart.over-blog.com/article-18305250-6.html#anchorComment</comments>                    </item>
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        <title><![CDATA[Arte em Nyaneka (Angola)]]></title>
        <link>http://worldart.over-blog.com/article-15477478.html</link>        <description><![CDATA[	Será que existe o substantivo «Arte» em línguas angolanas O historiador de arte Adriano Mixinge escreve: «Porém, que eu saiba, em nenhuma das línguas africanas existe uma palavra para designar aquilo que a historiografia ocidental chama de ARTE. Existe sim, vários vocábulos para designar aquilo[...]]]></description>
        <pubDate>Wed, 09 Jan 2008 17:13:00 +0100</pubDate>        <guid isPermaLink="false">c75b3ba51affcd2bd33cfaf60d8a309b</guid>
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        <title><![CDATA[Etonisme pour la jeune Angola]]></title>
        <link>http://worldart.over-blog.com/article-7286538.html</link>        <description><![CDATA[	Ruth Colette Belinga MA et Doctorandum en Histoire de l’Art, Univeristé de Yaoundé, Caméroun Etonisme pour la «Jeune Angola». Introduction Face au support de l’art, les institutions scientifiques – du genre de l’Université ou Musée – sont inévitablement fundamentales. Et les expositions sont[...]]]></description>
        <pubDate>Mon, 03 Dec 2007 09:32:01 +0100</pubDate>        <guid isPermaLink="false">a85eb901cfc04748515245a4d12c48da</guid>
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        <title><![CDATA[Específico de Hildebrando]]></title>
        <link>http://worldart.over-blog.com/article-7164996.html</link>        <description><![CDATA[						<img class="imgExtraitCon" src="http://img.over-blog.com/100x100/0/59/13/24/batsi_menga1.jpg" alt="" />
				<br />
	Específico: Observando essa pintura em aposição da personalidade do seu autor, nota-se uma musicalidade cromática, menos apaixonada, com pausas e quebras aporéticas (?), sem por isso medir os notórios epítetos de cortesia plástica quando, poeticamente, as impressões nelas exprimidas são[...]]]></description>
        <pubDate>Sun, 07 Oct 2007 01:17:35 +0200</pubDate>        <guid isPermaLink="false">a0e545680a1d3a2d3001cdb72fcc1039</guid>
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        <title><![CDATA[Molimo]]></title>
        <link>http://worldart.over-blog.com/article-7161896.html</link>        <description><![CDATA[						<img class="imgExtraitCon" src="http://img.over-blog.com/100x100/0/59/13/24/mengaba.jpg" alt="" />
				<br />
	Nkîsi Elikia Autor: Hildebrando Óleo/tela Dimensões: 200x200cm Ano: 2006 Espirito Esperânça: a logotecnia semiótica dessa expressão assente na intrusão propositada duma tonalidade fria decente que apesar da minoriedade planométrica, consegue cativar atenção do observador. O que perdemos pode[...]]]></description>
        <pubDate>Fri, 05 Oct 2007 15:01:09 +0200</pubDate>        <guid isPermaLink="false">0fb4284b651b41cd7db60c8d4a85523a</guid>
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        <title><![CDATA[Etonism and KASC]]></title>
        <link>http://worldart.over-blog.com/article-7148090.html</link>        <description><![CDATA[	Does etonism pre-vision of revolution in Africa? Mr. Ana Etona and its philosophy ETONISM explained by Patricio Batsikama remember us Luther King Jr and Matma Gandhi. First, the camp of observation well structured semiotically. Angola. All philosophy born in Cultural, social, political[...]]]></description>
        <pubDate>Sat, 29 Sep 2007 17:43:31 +0200</pubDate>        <guid isPermaLink="false">87c908028b120cc74d0a6db8ebdb4096</guid>
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