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    <title><![CDATA[le blog worldart]]></title>
    <link>http://worldart.over-blog.com/</link>
    <description>NC
</description>

        <language>fr</language>
    
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        <url>http://fdata.over-blog.net/0/59/13/24/avatar.png</url>
        <title><![CDATA[le blog worldart]]></title>
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    <pubDate>Sun, 01 Mar 2009 13:39:09 +0100</pubDate>    <lastBuildDate>Sun, 01 Mar 2009 13:39:09 +0100</lastBuildDate>    <generator>Over-blog.com RSS 2.0 Engine</generator>    <copyright>Copyright 2009, NC NC</copyright>            <category>Culture</category>    <docs>http://www.rssboard.org/rss-specification/</docs>                        
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        <title><![CDATA[AFÓ e o seu Kimoyongi]]></title>
        <link>http://worldart.over-blog.com/article-18817736.html</link>        <description><![CDATA[ AFÓ E O SEU KIMOYÔNGI 2008 Vou chamar esse espaço MITOSOFIA porque poderei abordar qualquer tema. E para já vou começar por Masongi Afo uma vez que está a prever uma exposição individual nos próximos tempos. Masongi Afonso é um escultor-ícone de Angola, não só porque já ganhou PNCA-Artes [...]]]></description>
        <pubDate>Thu, 17 Apr 2008 14:06:00 +0200</pubDate>        <guid >http://worldart.over-blog.com/article-18817736.html</guid>
                <category>worldart</category>        <comments>http://worldart.over-blog.com/article-18817736-6.html#c</comments>                    </item>
      <item>
        <title><![CDATA[AFÓ e o seu Kimoyongi]]></title>
        <link>http://worldart.over-blog.com/article-18817732.html</link>        <description><![CDATA[ AFÓ E O SEU KIMOYÔNGI 2008 Vou chamar esse espaço MITOSOFIA porque poderei abordar qualquer tema. E para já vou começar por Masongi Afo uma vez que está a prever uma exposição individual nos próximos tempos. Masongi Afonso é um escultor-ícone de Angola, não só porque já ganhou PNCA-Artes [...]]]></description>
        <pubDate>Thu, 17 Apr 2008 14:06:00 +0200</pubDate>        <guid >http://worldart.over-blog.com/article-18817732.html</guid>
                <category>worldart</category>        <comments>http://worldart.over-blog.com/article-18817732-6.html#c</comments>                    </item>
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        <title><![CDATA[ETONIM, A INTERESTING SCIENTIFIC CONTRIBIUTION FROMA ANGOLA]]></title>
        <link>http://worldart.over-blog.com/article-18305250.html</link>        <description><![CDATA[ Kelli MooreJames Madison University Angola need reformulation of culture, because after war the Angolans accostumed to war culture can not saveguarde wery well the peace that they conquered with more sacrifice. This is vision of ouside, and fortunately Antonio Tomas Etona and Patricio [...]]]></description>
        <pubDate>Mon, 31 Mar 2008 14:58:00 +0200</pubDate>        <guid >http://worldart.over-blog.com/article-18305250.html</guid>
                <category>worldart</category>        <comments>http://worldart.over-blog.com/article-18305250-6.html#c</comments>                    </item>
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        <title><![CDATA[Arte em Nyaneka (Angola)]]></title>
        <link>http://worldart.over-blog.com/article-15477478.html</link>        <description><![CDATA[ Será que existe o substantivo «Arte» em línguas angolanas O historiador de arte Adriano Mixinge escreve: «Porém, que eu saiba, em nenhuma das línguas africanas existe uma palavra para designar aquilo que a historiografia ocidental chama de ARTE. Existe sim, vários vocábulos para designar [...]]]></description>
        <pubDate>Wed, 09 Jan 2008 17:13:00 +0100</pubDate>        <guid >http://worldart.over-blog.com/article-15477478.html</guid>
                        <comments>http://worldart.over-blog.com/article-15477478-6.html#c</comments>                    </item>
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        <title><![CDATA[Etonisme pour la jeune Angola]]></title>
        <link>http://worldart.over-blog.com/article-7286538.html</link>        <description><![CDATA[Ruth Colette Belinga MA et Doctorandum en Histoire de l’Art, Univeristé de Yaoundé, Caméroun Etonisme pour la «Jeune Angola». Introduction Face au support de l’art, les institutions scientifiques – du genre de l’Université ou Musée – sont inévitablement fundamentales. Et les expositions sont [...]]]></description>
        <pubDate>Mon, 03 Dec 2007 09:32:01 +0100</pubDate>        <guid >http://worldart.over-blog.com/article-7286538.html</guid>
                <category>worldart</category>        <comments>http://worldart.over-blog.com/article-7286538-6.html#c</comments>                    </item>
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        <title><![CDATA[Específico de Hildebrando]]></title>
        <link>http://worldart.over-blog.com/article-7164996.html</link>        <description><![CDATA[<p><img src="http://idata.over-blog.com/100x100/0/59/13/24/batsi_menga1.jpg" /></p><p> Específico: Observando essa pintura em aposição da personalidade do seu autor, nota-se uma musicalidade cromática, menos apaixonada, com pausas e quebras aporéticas (?), sem por isso medir os notórios epítetos de cortesia plástica quando, poeticamente, as impressões nelas exprimidas são [...]</p>]]></description>
        <pubDate>Sun, 07 Oct 2007 01:17:35 +0200</pubDate>        <guid >http://worldart.over-blog.com/article-7164996.html</guid>
                <category>worldart</category>        <comments>http://worldart.over-blog.com/article-7164996-6.html#c</comments>                    </item>
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        <title><![CDATA[Molimo]]></title>
        <link>http://worldart.over-blog.com/article-7161896.html</link>        <description><![CDATA[<p><img src="http://idata.over-blog.com/100x100/0/59/13/24/mengaba.jpg" /></p><p> Nkîsi Elikia Autor: Hildebrando Óleo/tela Dimensões: 200x200cm Ano: 2006 Espirito Esperânça: a logotecnia semiótica dessa expressão assente na intrusão propositada duma tonalidade fria decente que apesar da minoriedade planométrica, consegue cativar atenção do observador. O que perdemos pode [...]</p>]]></description>
        <pubDate>Fri, 05 Oct 2007 15:01:09 +0200</pubDate>        <guid >http://worldart.over-blog.com/article-7161896.html</guid>
                <category>worldart</category>        <comments>http://worldart.over-blog.com/article-7161896-6.html#c</comments>                    </item>
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        <title><![CDATA[Etonism and KASC]]></title>
        <link>http://worldart.over-blog.com/article-7148090.html</link>        <description><![CDATA[ Does etonism pre-vision of revolution in Africa? Mr. Ana Etona and its philosophy ETONISM explained by Patricio Batsikama remember us Luther King Jr and Matma Gandhi. First, the camp of observation well structured semiotically. Angola. All philosophy born in Cultural, social, political [...]]]></description>
        <pubDate>Sat, 29 Sep 2007 17:43:31 +0200</pubDate>        <guid >http://worldart.over-blog.com/article-7148090.html</guid>
                <category>worldart</category>        <comments>http://worldart.over-blog.com/article-7148090-6.html#c</comments>                    </item>
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        <title><![CDATA[Etonism at University of Kansas]]></title>
        <link>http://worldart.over-blog.com/article-7140072.html</link>        <description><![CDATA[Etonism: philosophy of tolerant reason Patrício Batsîkama. 1) Definition Etymologically, the term etonism is from the nickname of &quot;Etona&quot; that means in languages 1) reasons, 2) allegations, 3) indulgence, 4) evidence that generates 5) the justice and the tolerance. 2) Meanings in the [...]]]></description>
        <pubDate>Tue, 25 Sep 2007 23:08:46 +0200</pubDate>        <guid >http://worldart.over-blog.com/article-7140072.html</guid>
                <category>worldart</category>        <comments>http://worldart.over-blog.com/article-7140072-6.html#c</comments>                    </item>
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        <title><![CDATA[ETONISM]]></title>
        <link>http://worldart.over-blog.com/article-7108584.html</link>        <description><![CDATA[Etonismo: anti-excluismo entre dois polos tendenciais? Patrício Batsîkama Platão coloca na boca de Sócrates as seguintes palavras: «... nós impedimos que o sapateiro tenta ser ao mesmo tempo lavrador, ou tecelão, ou pedreiro, e só o deixámos ser sapateiro, a fim que a obra de sapateiro [...]]]></description>
        <pubDate>Tue, 11 Sep 2007 17:14:08 +0200</pubDate>        <guid >http://worldart.over-blog.com/article-7108584.html</guid>
                <category>worldart</category>        <comments>http://worldart.over-blog.com/article-7108584-6.html#c</comments>                    </item>
  
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